August 18, 2015
May 27, 2015
May 4, 2015
Special thanks for this guest post to Amy Henderson, National Portrait Gallery’s historian emerita. Amy is a cultural historian specializing in “the lively arts”—particularly media-generated celebrity culture. Her books and exhibitions run the gamut from the pioneers in early broadcasting to Elvis Presley, Katharine Hepburn and Katharine Graham.
In the late 1980s, I met writer-director Garson Kanin at a Washington dinner party, and he set the stage for one of my happiest adventures as a cultural historian at the National Portrait Gallery. When I discovered that Garson, who wrote and directed all of the Katharine Hepburn-Spencer Tracy movies, lived next door to Herself in New York, I whined until he promised to give me her address. My excuse? The Portrait Gallery needed a fine portrait of the iconic actress!
Garson’s introduction worked, and I got to know Miss Hepburn in the late ‘80s and early ‘90s. I would have coffee and cookies with her when I traveled to New York, and we always went on an exploration of all the portraits she kept in her townhouse; there were a lot, since she had known artists her entire life.
She mentioned “all the costumes” on the upper floor, but I never got a glimpse. Now, thanks to the Durham Museum in Omaha, the costumes are on full view. “Katharine Hepburn: Dressed for Stage and Screen” is drawn from the Kent State Museum’s Hepburn Costume Collection, and features more than 35 costumes worn in 21 films and 6 stage productions—and some of her private life clothes.
Mick Hale, Director of Education at the Durham, heard that I had curated a 2007 Portrait Gallery exhibition celebrating Hepburn’s centennial, and invited me to speak about her life in conjunction with the Durham’s costume show. I eagerly accepted, and spoke at this Smithsonian Affiliate in April. Talking about her life, I focused mainly on Hepburn’s remarkable ability to fashion her own image, even in the heyday of the Hollywood studio system when studios configured their stars to reflect their own particular movie “brand.” E.g., Warner Bros. had a “Murderers’ Row” of gangsters, while MGM boasted “all the stars in the heavens.”
The Durham has been a Smithsonian Affiliate since 2002, and Mick Hale estimates that they have hosted 25 or so traveling exhibitions such as the Hepburn costumes. Other recent speakers have included Mike Neufeld from the National Air and Space Museum, who spoke about the Apollo 8 mission during the Durham’s “1968” exhibition; and Smithsonian Under Secretary for History, Art, and Culture, Richard Kurin, who shared his stories about 101 Smithsonian artifacts last Fall when the Durham hosted the Franklin Institute’s traveling exhibit “Identity: An Exhibition of You.”
My visit was enormous fun. First, the museum itself is lodged in what had been a stunning Art Deco train station that opened in 1931; lofty ceilings and a sense of bustle create an instantly uplifting “wow” museum experience. Second, for me it was great to see the costumes Hepburn wore during her long stage and screen career. Her waist was TINY—20”—and it was fascinating to see costumes from such landmark performances as the Broadway version of the Philadelphia Story. I also lingered over the section that spotlighted her impeccably tailored tan slacks, of which she had dozens.
My visit came at the end of Mick Hale’s tenure as education director at the Durham. After ten years, he is heading toward new challenges, directing a leadership initiative in Lincoln. But his dynamic partnership with the Smithsonian will remain firmly rooted at the Durham. “The museum and I are very proud of what we have done with the Smithsonian,” he told me, “and I know the quality work and collaboration will continue for a long time.”
All photos courtesy of the Durham Museum.
March 24, 2015
Among other benefits, Smithsonian Affiliates learn about new Smithsonian traveling exhibitions first! We’re pleased to bring you two exciting new exhibitions that will travel. The first, Armchair Archaeology: Paul Singer’s Search for Ancient China from the Freer Gallery of Art and Arthur M. Sackler Gallery details the amazing story of collector Dr. Paul Singer, a psychiatrist by trade who amassed a wide-ranging Chinese art collection, now part of the Sackler Gallery at the Smithsonian.
He collected most aggressively after he immigrated to the United States in 1939, making discoveries at art dealers, auction houses, and thrift stores alike. A self-taught, amateur scholar-collector who never learned the Chinese language, Singer managed to secure a research appointment at the Metropolitan Museum of Art due to his remarkable visual memory and extensive experience in the field.
The exhibition examines both archaeology and miniatures through topical groupings of objects dating from the Bronze Age (circa 1800–300 BCE) to the Ming dynasty (1368–1644.) In addition to exploring form, function, and meaning, the ninety-five objects in the exhibition also represent a range of media, including jade, marble, fluorite, bone, ivory, amber, gold, silver, bronze, and ceramics from earthenware to porcelain. This breadth reflects Singer’s ambition to amass “a sequential development in all the materials worked by Chinese artists.” For more information and a pdf with an overview of the exhibition, Please email us.
Across the Mall, from National Air and Space Museum, comes Art of the Airport Tower. The exhibition is the second to feature photographs from Museum Specialist, Carolyn Russo. The first, In Plane View, traveled to many Affiliates over its multi-year run, and is currently on view at the Evergreen Aviation and Space Museum. Both exhibitions feature stunning photographs of their subjects; Art of the Airport Tower shows these often overlooked utilitarian structures as beautiful art in our everyday lives. It is a photographic journey to airports in the U.S. and around the world.
Russo documents these important architectural structures to bring a heightened awareness to their simple beauty and call for their preservation. She is available for lectures and public programs to venues hosting the exhibition.
Art of the Airport Tower includes historic towers such as the Ford Island Tower, which stood the day of the attacks on Pearl Harbor, as well as today’s heavily trafficked airports such as London’s Heathrow Airport. International towers–including several of the world’s tallest towers, one of which is the Suvarnabhumi Airport in Bangkok, Thailand–are also highlighted. Captions describe the airport and the towers’ significance, and an introduction by F. Robert van der Linden tells the history of airport towers to contextualize Russo’s work.
This exhibit will attract a diverse audience, appealing to anyone with an interest in aviation, aerospace, art, photography, technology, history, culture, and architecture. Please let us know if you’re interested!
February 25, 2015
October 27, 2014
October 6, 2014
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Smithsonian Affiliations would like to thank Kate Preissler, Digital Media Marketing Manager at the Berkshire Museum in Pittsfield, Massachusetts, for this guest post.
On October 11, the Berkshire Museum will become the fourth museum in the nation to host Spark!Lab, an exhibition developed at the Smithsonian Institution by the Lemelson Center for the Study of Invention and Innovation at the National Museum of American History (NMAH). By opening Spark!Lab we are joining with the Smithsonian in a nation-wide initiative to engage young people in acts of invention.
Staff at the Berkshire Museum get a chance to test out the Spark!Lab activities during a special training with Lemelson Center colleagues.
To prepare, colleagues from the Lemelson Center in Washington D.C. joined the Berkshire Museum staff for several days of training. A significant portion of the training had our staff trying out the activities that will be available in Spark!Lab. These activities, primarily engineering and design challenges, pose problems from the real world for visitors to solve. There are no right or wrong answers to Spark!Lab’s challenges; you may invent a solution that is completely different from my solution, yet we have both succeeded by solving the problem. These activities show young people that every brain is capable of creating something totally new and that by coming up with new ideas, we can make the world a better place for ourselves and each other.
As we tried out wind tunnels and tipping tables, it occurred to me that everyone, not just young people, probably craves opportunities to be inventive all the time. Individuals from all departments– marketing, security, visitor’s services, education – became deeply absorbed in the challenges presented. The mood in the room ran the gamut from laughter during experimentation to intense concentration on final designs, and many people had to be torn from the stations when it was time to move on. When we tested the activities with kids, the results were the same – no one wanted to leave!
The author can’t look at her desk anymore without seeing all of the inventions that people devised to make life easier.
Until I encountered Spark!Lab and the Lemelson Center, ‘inventive creativity,’ especially as a skill set that could be learned, practiced, and honed, was not an idea to which I had given a lot of thought. So although learning about the activities and understanding what will be physically happening in our new space was valuable, it was the other aspects of our training that helped me to really understand the potential that Spark!Lab holds for altering perceptions and empowering the young people who visit the Museum.
During training we learned about many different inventors; inventions which have changed the course of history; and inventions which have made our lives a little easier in subtle ways. I spent the next few weeks seeing inventions everywhere. For instance, I sat at my desk and couldn’t help but notice that each of the items in front of me represented an idea from an actual person who saw a problem in need of a solution. And I don’t think I was the only one. My colleague Lesley Ann Beck came back to the second half of the training with a story about opening a pizza box and realizing that someone, somewhere, had gotten so frustrated with squished pizza and cheese stuck to lids, that they invented a small, round piece of plastic to keep the box lid from denting in, saving the pizza from damage. Once we started thinking about inventions, we couldn’t stop.
Spark!Lab under construction at the Berkshire Museum – a space which took inventive thinking to develop.
As construction of our Spark!Lab space in the Museum takes shape, this new lens has allowed me to see how our architects and staff have used inventive thinking to create a space that has to adapt to different needs, different audiences, and changing activities. It’s exciting to have a space for Spark!Lab that is the result of the creative inventiveness we’re trying to instill there.
We also had a discussion about ways to reinforce inventive thinking in kids, which gave me the chance to think back to my childhood and especially to my father, who built my sisters and me a workbench and encouraged us to create using wood scraps from his own projects. For years I used a Walkman held together by a wood nail because he loved to fix things instead of throwing them out. I thought about the pulley system he had rigged for our birdfeeder, which made it easy to fill but hard for squirrels to get to. I realized that my dad is one of those people who travels through the world with the eyes of an inventor. I also realized that not everyone has a person in his or her life to model and encourage these traits – but that by opening this space and staffing it with trained facilitators, our Museum could play that role for many.
You might now be asking, what do you mean when you say “the eyes of an inventor”? In the training, I wondered that too, and for me the best answer came from one of our facilitators, Michelle DelCarlo, Spark!Lab National Network Manager. She described inventors as people who encounter a problem and react by thinking “I can make this better.” With the mindset of an empowered inventor, problems become sources of motivation, not roadblocks or excuses to give up. So with that thought, I can’t wait to be a part of Spark!Lab because, really, what a wonderful world we could live in if each of us approached our days with inventors’ brains – not just seeing the problems, but feeling confident in our ability to solve them.
Spark!Lab will provide a space for young people in the Museum’s community to think like inventors.